Have you ever read a JAFF story and wished you could shake some sense into a character or two? Tell them not to open that door, to tell the truth, to get out of that carriage, to stay at Netherfield?
Now is your chance! Travel back to the autumn of 1811 and step into Elizabeth Bennet’s shoes. Follow along as she finds her own adventure just after the Netherfield Ball and Mr. Collins’s proposal. Every time she reaches a decision point, you as readers get to vote on which decision she should make! Check back next time to see what becomes of her decision and continue with the story from there.
Are you ready? It’s time to don your stays and gown, put up your hair, and exercise your wit. You are now Elizabeth Bennet!


You release a sigh as you sit back into the squabs of the carriage and watch Longbourn disappear in the distance.
Mr. Collins’s proposal this morning was not a complete surprise. After your embarrassing dance with him at the Netherfield Ball last night, and considering his limited remaining time before he returned to Hunsford and his noble patroness, Lady Catherine de Bourgh, you were certain that his proposal was imminent.
Mamma’s reaction was not a surprise, either. Desperate in her desire to see her daughters wed and grasp some security for both herself and them, she was destined to be disappointed at your refusal of your cousin’s offer.
It was Papa’s response that shocked you.
“I should never have accepted my cousin’s ‘offer’ to visit,” he said, taking off his spectacles and massaging the bridge of his nose. “I should have anticipated this very issue.” He chuckled wryly. “Well, I would never have guessed that Mr. Collins’s attention would be on you. I could not have imagined a worse choice for him, except perhaps Lydia.”
You dutifully smiled, but there was something in his manner that gave you pause.
“I am sending you to London,” Papa said abruptly.
You gaped. “Pardon me?”
“London.” He stood, pushing himself away from his chair. “There is a . . . situation at the moment that I must deal with. Something your mother and I must deal with together. This is not a good time for her nerves when we have a more serious matter to contend with. If you go to London, she will settle far sooner. Your aunt and uncle Gardiner will be happy to have your help with the children, and I hope that in a few weeks . . .” He cleared his throat. “A few months, perhaps, the situation might be resolved. I must speak with your uncle Phillips.”
It took less than an hour for you to change into travelling clothes, say your farewells, and for the trunk you maid had packed to be loaded onto the carriage.
To London. Well, you cannot say you are displeased. Mamma has already been wailing about your refusal all morning, and even Jane is beginning to look unhappy. Aunt and Uncle Gardiner’s home is always a haven of peace compared to Longbourn’s ruckus, although you hope they will not be displeased at your sudden and unannounced appearance.
If only Jane could have come with you. But Mamma insisted that Jane stay and wait for Mr. Bingley to return from London, as he is only expected to be gone for a few days, and Jane’s ready compliance seemed—for once—not from her gentle nature but from her eagerness to see Mr. Bingley when he returns. You can only hope that he will take the arrogant Mr. Darcy with him on his visit to London and leave him there!
There is a shout from outside the carriage, and you are jostled against the window as it comes to a sudden stop.
You lean out the window to see the coachman and manservant standing over what looks like a log in the road, the coachman gesturing wildly towards the forest. He half turns and sees you watching.
“Please stay in the carriage, Miss Bennet!” he calls back. “All is well!”
You nod and sit back into your seat, but something does not seem right to you.
You are not very far on the road to London, and yet you are suddenly reminded of stories of highwaymen placing logs in the road to block carriages and then attacking as soon as the carriage stopped.
You are being foolish. There are no highwaymen attacking carriages in Hertfordshire in the year 1811! The very idea is ridiculous. Yet there is something the coachman is not telling you, and the longer you sit here, the more anxious you become.
Do you:
tamp down your nerves and wait patiently for the carriage to move again
or
get out to see what is going on, despite the coachman’s warning?

Now it’s your turn! Let me know in the comments which way you want Elizabeth to choose.
Also, this style of “Choose Your Own Adventure” style story is generally done in second person present tense to allow you to enter the story. However, if the majority of readers think this will drive them crazy and would prefer third person, I will switch it! You can tell me your vote there in the comments as well.
Second person: You look forward to meeting Mr. Darcy. (As written above)
Third person: Elizabeth looks forward to meeting Mr. Darcy.
56 comments
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Lizzy would get out rather than sit in the carriage. She would not want to see Mr Darcy.
Get out to see what’s going on
Definitely in the 3rd person
Definitely get out to see what’s going on.
Third person, Elizabeth should get out to see what’s going on.
Get out and see what’s going on
That’s a great idea – I love it! This is going to be so much fun!
I had many of these adventure books when I was a teenager.
Whith this kind of story, second person present tense actually feels right for me.
As for the choice: I wouldn’t be Elizabeth Bennet if I stayed in the carriage, so of course I choose to get out to see what is going on. 😊
A cute idea, but I’m one of those people who prefer third person.
I’m eager to read more.
Love this idea.
Definitely get out to see what is going on.
Get out of the coach – It’s Lizzy – she always has to know and act for herself!
Of course Lizzy gets out. When has she ever sat quietly by?
Definitely third person.
Lizzy would get out and see, whether that is wise or not.
Elizabeth sighs, clasp her hands together then releases them, decides this is foolish when she could be doing something useful, She opens the carriage door, steps outside.”Coachman, how much longer must I wait? Has there been an accident? ” She walks towards him.
As a blog, i think developing it as ‘you’ is much more interesting, and then when it’s a full story for publication return our heroine to her former self. J’adore–this whole premise and can’t wait to willingly follow along. And of course, ‘I’ would hop out of the carriage!
Get out & see is my vote.
& honestly second person is throwing me for a loop. Since I know the stroy is not about me & choices I would make for me but choices I want for Lizzy. As I was reading I was mentally changing the story to third person.
I am excited for this story though.
I prefer the idea of third person, and of course Elizabeth has to get out and see what’s happening!!
Get out and see what is going on! Lizzie is no shrinking violet and her courage always rises on every attempt to intimidate her.
I think I would rather third person narrative.
I love this concept!
Get out and see what is going on! Lizzie is no shrinking violet and her courage always rises on every attempt to intimidate her.
I think I would rather third person narrative.
I love this concept!
option chosen: get out to see what is going on, despite the coachman’s warning?
Third person please
Thank you! Good fun x
Lizzy would get out so that’s what I choose.
Either perspective is fine for me but I enjoy being Elizabeth so I vote 2nd person.
This is so fun! Elizabeth would definitely get out of the carriage. And I like second person!
I prefer second person narrative, and of course Elizabeth gets out of the carriage! She is a headstrong girl.
You take a deep breath, attempt to wait but after five long minutes of trying to calm your racing thoughts, you gather your skirts, open the carriage door and climb down onto the road.
I vote Elizabeth getting out of the carriage. While, I usually prefer 3rd person, I think in this instance I would be okay with 2nd person as well.
She would get out to see what is going on, and also for the simple pleasure of having a little stroll to releave her legs, and also to settle her mind after such a whirlwind of events.
Get out and see what is going on
I would choose: “get out to see what is going on, despite the coachman’s warning?” This is the Lizzy we know….impatient.
I like either second or third person.
Second person.
Get out if the carriage
I think she should stay in the carriage. I also prefer third person. Looking forward to the rest of this story!
Get out and see what’s going on.
I’m OK with either 2nd or 3rd person.
Love this idea! Thank you!
Get out of the carriage.
Second person.
You shouldn’t tell my story as if I weren’t here. Now let me out of this carriage. I need to walk!
Lizzy would get out of the carriage.
Either second or third person.
Third person please. As for Elizabeth, hopefully she’s not as terrible at decision making as I am,🤔😳🤔😳🤔 I tend to think she’d get out as she couldn’t bear sitting there not knowing. 😉
I vote for Elizabeth getting out of the carriage to see what’s going on. I think I like 3rd person better. Thanks, this is fun!
Lizzy would never sit around waiting to be “taken care of”. She would satisfy her curiosity as to what is going on.
I’m guessing it is a body on the road. Who could it be??
Ikm not a big fan of 1st person but can endure most anything.
Get out of the carriage. I prefer 3rd person, or even 1st person narrative,. I’m not a fan of 2nd person.
I (Elizabeth) get out and see what is going on. The second person threw me off at first, but I quickly became used to it. Either person is fine. This is a good idea–so much fun!
Go out of the carriage.
I like 3rd person, but I’m willing to see how the 2nd person style goes. (I may get into it after a few chapters.)
Thanks for this story :3
Lizzy would definitely get out of the coach to see what’s going on.
I prefer second person.
2nd person is fine. Get out and see whats happening.
Second Person: get out to see what is going on.
Get out of the carriage of course. And choose your own adventure needs to be 2nd person.
3rd person, out of the carriage
Get out and see what is happening! Also, I am ok with second person, but would prefer third person.
Look for the loaded pistol PaPa keeps in the carriage, then get out to view the action and discover what’s really blocking the road. Third person, please.
Good chapter. I look forward to reading the rest! ;o)
I prefer second person. I think Elizabeth should get out of the carriage despite the warning.
Elizabeth had never been a sit and wait sort of girl. Though I might get out the side opposite the hill… and maybe hide?
I think Elizabeth would get out to see what’s going on. Second person is fine.
There’s no way that Elizabeth is going to remain sitting in the carriage twiddling her thumbs when she knows that highway men use this tactic to stall for time. I’m sure she knows that the coachman will be armed and that there are weapons kept in the interior of the coach. She’s not going to sit inside waiting for something terrible to happen when there’s means available to be proactive. She’s going to be backup.
Second person is preferred.
I think every modern woman would say, get out and see what is going on! Plus Lizzy is fairly bold so it doesn’t seem too crazy. The second person is not a big deal to me and helps enter the story.
Author
Thank you all for your votes! So far we have a vast majority who vote for Elizabeth to get out (31 to 1), but it’s a much closer decision between 2nd person and 3rd (12 second person, 10 third, a few who said either is okay). I’m going to give another couple of days to vote, but I may have to work out the best option in tense. If you haven’t weighed in yet, please do!
Get out and see what’s going on! Second person is better.
second person tense would be my preference. Also, of course she gets out of the carriage.
This is so much fun!
Definitely getting out to see what’s happening & 3rd person is more my thing but can deal with 2nd!
Lizzy gets out of the carriage to see what is going on, and perhaps help the coachman and driver hold the horses while they move the log, all the while looking warily over her shoulders for whomever might have placed the log in the road.
Ooh, this is exciting! Of course I, personally, would sit back and wait because I, personally, am too timid! But I, Elizabeth, would definitely get out of the carriage to see what’s going on! Thanks for starting this adventure, Sarah!