Tulips in Winter: An Excerpt from A Remedy Against Sin

Happy June to you all! When I was thinking about this month’s theme, “Blossoming Love,” I realized that I rarely set a story in summer. Nor do I have many flowers in my novels (or, when I do, I tend to put them in seasons not meant for those flowers)!

All of these thoughts brought to mind my first novel, A Remedy Against Sin, published in 2016, but written over many years. (I wrote the first chapter in 2008, abandoned the story, and then wrote the rest in snatches between 2011 and 2016.)

At the time, I was fascinated by the early marriage scenario. (Side question: do you like this trope? Why or why not?) I was especially interested in Elizabeth’s emotional state after her unexpected marriage. When I was trying to imagine Elizabeth on the morning after her first night with Darcy, the first image that popped into my head was yellow tulips. I could just see Elizabeth staring at a vase full of yellow tulips in her posh London home, wondering to herself, What has just happened to me?

What was happening, I suppose, was a very gradual journey toward love. Though the excerpt below is set in the dead of winter, I wish you a very happy start to summer (unless you’re in the southern hemisphere, in which case this excerpt is meant especially for you)!

~~~

Excerpt from Chapter Seven of A Remedy Against Sin

A Remedy Against Sin

The morning after, she woke as she always had: slowly, with the dawn, the light creeping into her room until black became gray and gray a multitude of muted colors. She lay on her side, blinking. Why were there flowers on her vanity? There were no yellow tulips at Longbourn, and besides, was it not winter? A dream, she thought, closing her eyes. Then she rolled over and felt the sheets against her skin.

Not a dream.

She pulled the blankets about her and thought suddenly of her sisters. Even in the coldest month of winter, Lydia jumped out of bed each morning, as if the bedclothes were suffocating her. Of course, she never jumped earlier than eight, and usually it was closer to ten. Jane and Kitty were less emphatic, but once awake, they rolled over and put their feet on the ground, unable to go back to sleep. Only Mary, industrious and sober Mary, had to be dragged out of bed by Sarah, the poor maid who, each night, was ordered by Mary herself not to let her sleep past eight.

Elizabeth rarely slept past daybreak, yet she took a good quarter of an hour to rise. Hers was a leisurely embrace of the morning, for there was nothing quite so delicious as burrowing into one’s pillow and contemplating the comfort of sleep without actually sleeping.

It was not sleep, however, that she contemplated now. Neither did she did allow herself to think of the night before, so instead she wondered about the etiquette of rising in this place she was now to call home. At Longbourn, there were two rules: tiptoe past Mama’s door and avoid the breakfast table until half past nine. Angering either Mrs. Bennet or Mrs. Hill first thing in the morning made for a difficult day indeed.

At her uncle’s house on Gracechurch Street, where three children under the age of nine resided, the mornings were cheerful and chaotic. No one in the household slept past eight, and any guest who might want to sleep later learned to cover his head with pillows if he wished to block the sounds of footsteps on the stairs or laughter in the corridor.

Elizabeth assumed that the awakening of the Darcy household would be proper and correct, as formal as Darcy himself. Then she sat up, saw the tangle of sheets, and realized that formal was not, after all, a very good word to describe him.

Forcing herself to her feet, she pulled the bell rope and went to the washstand, only to find the urn empty (she had used all the water after…well, after). So she sat at the vanity and began brushing the knots out of her hair—until she remembered what she, what he, what they both had done there the night before.

Elizabeth threw down the brush and resorted to pacing the room.

Thankfully, Nancy arrived with tea a few minutes later, and for a long while, she did nothing except stand by the window in her dressing gown, letting the cup of tea go cold in her hand. Her room looked out on the small garden that separated the townhouse from the stables. When a figure emerged from the main stable door, Elizabeth took a quick step back, realizing she wore nothing but her nightclothes. The figure did stop, but not to look up. Instead, he—she could see now that the figure wore trousers—bent over, almost as if seized by some dreadful pain.

“Nancy, come here! Do you think he is unwell?”

Her maid hurried to the window and looked out.

“Oh, poor Edgar drank like a fish last night and—” Nancy stopped abruptly and blushed. “Excuse me, ma’am.”

Checking her smile, Elizabeth watched “poor Edgar” stagger back to the stables before she stepped away from the window and let the curtains fall back into place.

“Please don’t be too hard on him, Mrs. Darcy,” Nancy whispered, looking down at her feet. “He received some bad news yesterday.”

“I am sorry to hear that. I hope his family are all in health.”

Nancy glanced up at her. “That’s just it, ma’am. It was his mum.”

“Oh!”

“She was sickly, and they were expecting it,” Nancy said, her voice gaining some confidence. “I never knew her. He came from some other part of the country, not a Derbyshire boy. Still…”

“When you see him next, you must pass along my condolences.” As soon as she spoke, she wished she had not. What good were the mistress’s condolences, delivered by her maid? Better to speak with Mrs. Bradley—or should it be Forester?—to see about time off for Edgar to attend the burial.

Nancy smiled and said, “That’s very kind of you. Would you like me to brush your hair now?”

Despite her earlier reservations, Elizabeth sat at the vanity looking (she thought) fairly well composed, all things considered. Had she really spent the morning fretting about what she had done last night? She was the mistress of a large household now; she had more important matters to concern herself with than what she had done with her husband in the privacy of her own bedroom.

This line of thought, along with the glow of self-righteousness that accompanied it, stayed with her until she actually saw her husband in the breakfast parlor. She had gone to the room expecting it to be empty; it was only quarter of eight, and she knew no one, even in the country, who broke their fast before nine. Yet there he was, sitting at the small table in the center of the room, holding a teacup in his right hand and a newspaper in his left. He seemed uninterested in both; his teacup hovered inches below his lips, and his gaze was focused not on the paper but at the window beyond it.

She was struck then by the paradox of their marriage: that she could know this man so intimately without knowing him at all. What had caught his attention? The lone cardinal flitting between the scraggly bushes in the back garden? The sky, so blue that one might have been tricked into thinking the calendar read June instead of December? Or did he stare blindly at the glass, seeing nothing except the thoughts in his own head?

How different it might have been with a man she loved. She would have come into the room smiling and asked, “What do you see, my dear?” Yet the previous night, which should have brought her closer to understanding him, made her feel even more uncertain.

It was not, however, in her nature to remain silent.

“What do you see?”

At the sound of her voice, he flinched.

She had not smiled or used an endearment, and she realized only after the fact how important such niceties were for making such a question sound philosophical rather than impudent.

“Good morning,” he said, rising and bowing.

When he straightened, she tried to meet his eye, but he looked at some point beyond her. Would all their mornings be a performance enacted to erase what they had done the night before?

Determined now to provoke a response, she sat in the chair closest to his and bumped his arm as she reached for the teapot. He handed her the sugar dish, his fingers touching hers.

“I, too, spent much of my morning looking out a window.” She had meant the words to sound cutting, somehow, but her voice cracked at the end.

Now he met her eye. “What did you see?”

© 2016 Christina Morland

~~~

Winter can be a difficult season for both love and flowers (the yellow tulips in this excerpt were from the hothouse, of course). Luckily, Elizabeth and Darcy find their way to warmer days. Thanks for reading!

 

 

 

 

24 comments

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    • Glynis on June 2, 2021 at 4:50 am
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    I do prefer early marriage between ODC, as I prefer them to deal with problems as a couple (even if they’re not COMPLETELY happy with each other) obviously in an ideal world any disparity of feelings or misunderstanding of emotions will be resolved early on in the marriage 🤞🏻😉😂.
    I love this book so it must be time for yet another reread! Thank you.

    1. I like early marriage scenarios for the very same reason. It’s so much fun to get these two in the same room with each other, trying to solve a problem or work out their feelings with each other! Thanks for your kind words, Glynis, and happy reading to you!

    • Alexandra on June 2, 2021 at 6:39 am
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    Would you believe I haven’t read A Remedy Against Sin?
    Something I can easily remedy I guess especially as it is an early marriage scenario. I love those!
    As a 21st cent reader I find it the most “modern” scenario as the heroes can talk without having to be chaperoned all the time, they are “forced” to deal with their problems, and as I gather happened in this story sex is in the equation but as usual, it doesn’t solve anything unless the heroes actually communicate.
    (I confess I get bored when everything is fine and breezy in their relationship and all they have to do is count their blessings. Not very realistic either…)
    So, I have another CM book to look forward to reading! 😉
    Have a beautiful week!

    1. Hah! I love how you used remedy in your response, Alexandra! I will never get tired of jests using word play! You’ve made such a good point about how early marriage is one of the few ways Elizabeth and Darcy can sidestep all those pesky rules of 19th century etiquette. (I’m so glad I don’t live in the 19th century!) Thanks for your comment, and hope you’ve had a good week!

    • Alexandra on June 2, 2021 at 6:45 am
    • Reply

    And tulips are my favorite flowers! (the useless info of the day 😛 )
    So, kudos for using them!

    1. I, too, love tulips. I find their shape so graceful and understated — the perfect canvas for bright colors!

    • Marie H on June 2, 2021 at 7:39 am
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    The forced marriage trope is definitely my favourite. It demands action on both D&E’s part whether they want to or not. It’s what actions the author has them take once married that determines whether it’s a good story or not. A FM also usually skips many of the canon events and therefore provides a new or unique perspective. This book was a five-star read for me!

    1. Ooh, great point about how the scenario forces the protagonists to take action! I really like how you put that. Many thanks for your kind words and comment, Marie!

    • Sabrina on June 2, 2021 at 10:29 am
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    Actually I’m not very fond of early marriage scenarios, maybe because they are so common and so similar, that you often get the feeling you’ve already read the same book. And sometimes the transformation of ODC’s feelings is too sudden to be believable.

    1. Yes, the issues you mentioned are pitfalls indeed. Speaking (or typing) as a writer, what makes those issues all the more difficult is trying to figure out what is common or uncommon, or what transitions feel believable or not. Of course, that’s also part of the fun of writing, solving those puzzles! Thanks for sharing your thoughts, Sabrina!

    • Carole in Canada on June 2, 2021 at 11:00 am
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    I loved this book and the inner turmoil of both Darcy and Elizabeth. I do like forced marriage/early marriage tropes but still squirm and get anxious when they don’t face the elephant in the room! But, of course, the story would be very short if they did! LOL! I am slowly re-reading my favourites and just finished ‘This Disconcerting Happiness’ for the 2nd time. I think ‘Remedy Against Sin’ will be my next re-read.

    1. I’m so glad you’ve enjoyed these books, Carole! And yes, there is indeed a gigantic elephant in the room (or maybe a whole herd of elephants) when it comes to some of the issues between Elizabeth and Darcy sometimes! 🙂 I think one of the most fascinating parts of the early marriage scenario for me is wondering what it would feel like to be Elizabeth — to find yourself in a marriage you did not expect or particularly want. It’s not an experience I would actually want to have in my real life, which is perhaps part of the reason I enjoy thinking and reading and writing about it! Hope you and yours are well, and happy weekend to you!

    • Mihaela on June 2, 2021 at 12:36 pm
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    I absolutely love the early marriages – forced or “only” of convenience – as it gives them time and opportunity to (as so aptly one author said) “courtship safely within their own marriage”.
    Because I think that Elizabeth is (or should be indeed) courting Darcy as well…

    I confess I haven’t read yet your book – you definitely rose my curiosity and interest! I will look it up presently!

    Thank you

    1. Thanks for commenting, Mihaela! I love the idea that Elizabeth should be courting Darcy, as much as he courts her. If you end up reading A Remedy Against Sin, I hope you enjoy it! If not, or if it’s not your cup of tea, I hope you find joy in whatever you read next! All the best, Christina

    • karen lyons-mcgann on June 2, 2021 at 5:20 pm
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    Goodness I must have read this when it was very new! Now I think I want to read it again! The question is, did I buy the ebook or borrow it? Guess I will go find out!

    I do like them ending up married early in the plot, especially if they become a team against outside forces pretty quickly.

    1. Thanks so much for commenting, Karen! What a lovely way of describing Elizabeth and Darcy — as a team. As much I love tension between these two, I also like seeing them work together.

    • Terri on June 2, 2021 at 6:39 pm
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    I read this book long ago but remember I liked it very much. This taste inspires a reread soon. Thanks.

    1. So glad you enjoyed, Terri! Thanks for reading!

    • Gina on June 2, 2021 at 9:39 pm
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    I love this book so much. I’m so fascinated that you wrote the first chapter first. Spicy!!

    I love early marriage scenarios when they are well done, but they can feel formulaic and the transition to love jarring if not well crafted.

    1. Thanks, Gina! It means a lot that you enjoyed this book. And yes, that first chapter was spicy indeed, at least for me! I think what inspired me to write it was the idea that so many romances (not necessarily JAFF, but romances more generally) have the marriage, wedding night, and children at the end of the book, as if those three things wrap up a life in a neat little bow. I wondered what would happen if you put those three things early in a story because my own, much less dramatic life has taught me that marriage, sex, and children by no means mean an end to all one’s troubles! 🙂 That being said, I’d not trade love (being it marital, passionate, or familial) for anything, no matter the trouble! Happy weekend to you!

    • Elin Eriksen on June 8, 2021 at 4:42 pm
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    I just reread A Remedy Against Sin and I absolutely love it!

    I am one of the early (forced) marriage fans. It is my favourite trope for several reasons. I absolutely love seeing ODC (our dear couple) at odds because I like to be moved. In addition, it usually means a lot of pagetime with ODC together which is another plus. The “compromise” can often be a funny moment as well. Lastly, it often offers great character development and an engaging read–I want to see them coming together for real.

    1. Oh, thank you so much, Elin! As a fellow author and an avid reader of JAFF, your opinion means a great deal to me! Thanks also for your thoughts on the early/forced marriage scenario. (I never know which word–early or forced–to use; I suppose I think of early as encompassing all scenarios that take place before E&D marry in P&P, but forced always gives me the shivers, even though I think it just means, in this context, that circumstances forced them to marry before they were ready?) In any case, I love all your points about page time, the tension between ODC, and the character development. I think it also is another way of getting Elizabeth and Darcy to understand themselves better, which is the heart of Pride and Prejudice, I think. Thanks again for your kind comment, Elin!

    • Jen D on June 13, 2021 at 3:23 pm
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    I really liked this excerpt; thank you so much for sharing it!

    1. Thanks so much for reading it, Jen! 🙂

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